Chronolithic weaves a sensitive dialogue between matter and memory. By juxtaposing 660 stoneware and porcelain discs in vertical strata, the weaving recomposes a fictional geological core sample, both an archive of time and a metaphor for the identity of the present.

The work questions the traces and the connections we leave within the thickness of the world. Suspended by a thread, Chronolithic invites a meditation on memory and on the brevity of the materials of living existence in contrast to geological immensity.

The Porcelain Weavings series explores porcelain as a sensitive structure, at the intersection of wall sculpture and installation. Composed of individually formed units that are then linked together, the works are constructed through repetition, variation, and the tension of relationships.
Each element retains its singularity while contributing to a coherent whole, where intervals structure the balance of the composition. These works develop architectures of relations in which equilibrium emerges from the meticulous assembly of elements and the precision of the gesture.